5/1/2023 0 Comments Edificio de vidrio en new york![]() ![]() The demolition of the grand, Beaux Arts building, designed by eminent American architects McKim, Mead & White, is now considered an incomparable loss to the history of Gilded Age architecture and to the urban landscape of New York. Nine photographic panels installed in four niches: each niche 6′ 7 5/8” H x 22′ 2 ½” W x ½” DĬommissioned by Empire State Development in partnership with Public Art Fundįrom 1910 to 1963 the original Pennsylvania Station stood one block east of Moynihan Train Hall, on the footprint of today’s Madison Square Garden. 1960 in Vancouver, Canada lives and works in Vancouver) Stan Douglas, Penn Station’s Half Century Together, they give dazzling artistic definition to the generous, civic character of Moynihan Train Hall. They are captivating and powerful in different ways, each inspired by New York’s rich heritage, its diverse and talented people, and its creative spirit. Characterized by daring juxtapositions of old and new, these commissions are emblematic of the constant states of innovation and transformation which are quintessentially New York. Using illuminated stained glass and inspired by classical frescoed ceilings, Kehinde Wiley has adapted the movements of breakdance-a form originated on the streets of the Bronx-into a lyrical allegory of dynamic human expression. Elmgreen & Dragset have dreamed an imaginary global metropolis into sculptural being, upside down, radiating the city’s irresistible urban energy. Stan Douglas has mined the history of the original Penn Station, giving heroic pictorial life to narratives from different moments in time using today’s most advanced digital technologies. These very different commissions, by Stan Douglas, Elmgreen & Dragset, and Kehinde Wiley, demonstrate each artist’s ingenuity and vision. In keeping with the redesigned building’s architectural integration of old and new, the art program commissioned three of the world’s leading artists to create large-scale, site-specific artworks that reflect broadly on notions of past, present, and future. Public Art Fund was invited by Empire State Development to develop and direct a program of ambitious art installations for three prominent sites within the Train Hall. ![]() Farley Post Office, the distinguished sister building to the original Pennsylvania Station. Cuomo, is a sensitive yet visionary renovation of the 1912 James A. The state-of-the-art Moynihan Train Hall, completed in December of 2020 under the leadership of Governor Andrew M. Its demolition in 1963 marked the loss of a beloved architectural and civic landmark in the heart of the city. The historic Pennsylvania Station, a Beaux Arts masterpiece designed by McKim, Mead & White, opened in 1910. ![]() Thessaloniki: ZITI, 2007.What makes a public building a truly civic space, able to evoke a sense of shared ownership and collective pride? In the new Moynihan Train Hall, a series of remarkable public artworks capture and express the spirit of democratic purpose, historical memory, and innovative design that characterize this new centerpiece of New York’s essential urban infrastructure. In Transparency & Architecture, edit by FaniVavili and EvanthiaDova, 479-484. “The Perspiration Affair, or the New National Gallery between Cold Fronts”. The Architectural Uncanny: Essays in the Modern Unhomely. New Brunswick: Rutgers University Press, 1990. In Raritan Reading, edit by RichardPoirier, 351-63. In Architecture Production, edit by BeatrizColomina, 122-51. New York: Princeton Architectural Press, 1994. ![]() In The Presence of Mies, edit by DetlefMertins, 70-83. “A World in Itself: Architecture and Technology”. dissertation, Princeton University, USA, 1996. Transparencies Yet to Come: Sigfried Giedion and the Prehistory of Architectural Modernity. London: Architectural Association Publications, 2011. Modernity Unbound: Other Histories of Architectural Modernity (Architecture Words 7). In Mies in America, edit by PhyllisLambert, 192-589. Glass in Modern Architecture of the Bauhaus Period. Treacherous Transparencies: Thoughts and Observations Triggered by a Visit to Farnsworth House. Cambridge, MA: Harvard University Press, 1982. Space, Time and Architecture: The Growth of a New Tradition. In The Presence of Mies, edit by DetlefMertins, 178-189. “Surrealism: The Last Snapshot of the European Intelligentsia”. ![]()
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